Tag Archive: graham joyce


Bonus Blog: Alt Fiction 2012


alt fiction logoI couldn’t not write about this event…! What sort of crazy fan-girl would I be if I didn’t share my thoughts on my second literary con (in just a bit of a call back to the first one).

This year, Alt Fiction was right on my doorstep. As a matter of fact, it took place in the very same venue I visit for the Phoenix Writers Group, so it was nice to be on familiar ground (and nice not to have to travel to Derby when I currently weigh about as much as a beached whale -_-).

There were familiar faces in the form of members of the writing group, faces from last year and of course guest speakers that I recall from their name or from chatting with them last year as well. The experience, however, has been very different; probably because I have one of these events already tucked under my belt.

Let me take you through it (in brief, I promise!).

Oh and apologies in advance for the hefty splattering of links. Its not my usual style, but I couldn’t help it; where I could find them, I just had to link web presence to the names, because these people are fab and I want to share hem with you. :)

Saturday
Alex Davis ran a fabulous workshop on Short Story Writing that gave me a few ideas and ways to try submitting some of the short stories and flash I seem to be collecting. I have to do something with them, right?!

Next was Mark Chadbourn who ran The Business of Writing. His workshop was so fantastically positive that a blog post I actually have scheduled for late May (y’know, when I’m buried under nappies and puke stained muslin) probably needs a vast rewrite! I came away from that workshop (even better because I totally gatecrashed it – I hadn’t signed up for it) with a buzz and desperate need to start making plans now, now, NOW!

How Not To Pitch (Dragon’s Pen) featured Ramsey Campbell, John Jarrold, Steve Tribe and… I’ve missed someone. Damn… who was it? Grr. *sigh* As well as the brave authors who verbally ‘pitched’ their work in true Dragon’s Den style. That was vastly entertaining. It was filled with lots of things you know inwardly, but should admit that its good to be reminded of. They were great examples of things you most certainly should not do, later reinforced with what you should do when making a pitch. Regardless, I know that, if I was pushed into a face to face pitch right now, I’d probably fluff it. I’m not ready for that yet.

Writing As A Day Job gave things a different slant compared to Mark’s workshop, but Adam Nevill, Niki Valentine, Conrad Williams and Kim Lakin-Smith certainly woke me up enough to keep me eager to fulfil my plans.

I wrapped up the day with the Comics Panel, (which was hilarious – I will put my hand up and say that I had no idea there were quite so many comics out there) and a reading, plus Q&A with Ken MacLeod. He’s ace! I seem to have two of his books upstairs (I don’t remember buying them, but who cares, I have them!) so I’m going to enjoy reading those.

Oh and I almost forgot (how the hell did I manage that?)! I did a reading in the Flash Fiction open mic section over lunch! ^_^ I don’t have a list of all the readers, unfortunately, though I’m sure I can ask the lovely Alasdair Stuart who has a recording of all the readings! Wheeeeeeeeeee! If you’re wondering why I’m so excited about that, its because he says I can have mine, which means I’ll be able to post it here so you can hear it. ^_^ I’ll put the excerpt up anyway, but I think it would be nice to have a live reading on the site. So look forward to that in a few days.

 
Sunday
I managed to spend the whole day in one room; three panels of talks that made me bounce.

The Extremely Dangerous Fairy Folk, was searching and energetic and made me wish I’d recorded it in some way. Mainly because they made so many references to things I want to check up on regarding true fae. None of this tiny, child faced, cute creatures; more of the dark, evil evil creatures that steal your children. ^_^ Thank you to Graham Joyce and Kate Laity for that one. Oh and thanks for signing my book Graham (!).

Return Of The Short Story continued a recurring theme of talks/panels/workshops I was interested in this weekend. Short stories haven’t gone anyway and again its a great time to be writing fiction below 10,000 words. Again I came out of that one ready to leap over buildings (or at least ready to sit back at the PC and start tapping keys).

However… Diversity in Fantasy was my absolute favourite this year. Last year I remember feeling intimidated and frightened by the apparent lack of diversity at the con and in the speakers. However after the comments that sprang up in the comment-stream of that last post and in my research since then, there are definite improvements. And to hear Anne Lyle (I totally wanted to steal her t-shirt!), Adrian Tchaikovsky (even cooler because he’s a LARPer :p) and Mark Charan Newton talk about sexuality, race, religion and gender, both in fantasy and in the authors was just so interesting. I sat at the front bouncing up and down like a crazed fan-girl with a reeeeeeeeeally stupid grin on my face. But I don’t care; I enjoyed myself immensely. And I’ve missed someone again; I’m so sorry (-_-) I’m so useless with names unless they’re right in my face!

 
All in all, even with the waddling up and down stairs, fighting with the weather (I hate April showers!), and constant trips to loo (I want my bladder back!!!) I had a fantastic time. The whispers are that next year’s event is provisionally booked for the first week of May 2013, again in Leicester. Well that just makes me want to burst into song. Bring it on folks, bring it on.

Well done and huge thanks to Writing East Midlands, Adele Wearing, Phoenix Square and all supporters/partners for putting on a great con! See you next year, if not sooner! x

 
PS… I got another six books to read! What with yesterday’s Kindle downloads I have no idea where I’m going to find the time!!! :-/


Well that was interesting.

I can’t think of another word for it really, I want to say useful, but it was only to a small degree.

I went to LWC today; its Thursday, that’s what I do. And forgetting that this meet had a theme I spent half an hour, before setting off, trying to find an excerpt of SORB that I liked. Then I decided just to do a bit more of what they had last time and tried to print it. Of course, my printer then had a hissy fit and I didn’t manage to get anything printed off.
So I rode into town utterly defeated, mooching into the Adult Learning Centre with my head hung low, disappointed that I wouldn’t be able to read anything.

Getting in there, the room is packed solid, mostly with faces I don’t know and Celine is already there explaining that today is not a reading day as normal, but a talk. A talk from a literary agent.

Crickey!

I was a bit shocked at first, surprised by the idea that I might be able to have another chat with somebody in the business. Remember Graham Joyce? Useful. This guy, Ed Wilson of Johnson And Alcock; interesting. I enjoyed his talk a great deal; it was good listening to him tell us about the business from his side. Explaining what it is an agent actually does and tell us why they are useful, all the while smiling his slightly Jack Nicholson smile (yes, chick, I did notice). Its a shame though, as he didn’t give any advice that I hadn’t already picked up either from experience or from the Writer’s and Artists Yearbook. He was very honest about it all however, and talked about the industry in a way that helped remind me that, yes, its not just about how well something is written any more. Its about if it will sell. I knew that; but to be constantly reminded I think is helpful to me.
Especially since at the beginning, when I began doing this, I was only writing for me. This led to my stories getting a bit samey and, though the setting of the novels changed, characters were rather similar, as were motivations and the b-plots. That’s something I’ve already dealt with now and nipped in the bud, I’m pleased to say.

Anyway, all the way through it, Celine is practically humming and jabbing at me, making it plain that, whether I like it or not, I’m going up in the break to talk to this guy.

It was at some point after that, mooching along in the ever growing queue, that I realise something. A similar sort of understanding as when Graham came to talk to us. I have nothing to show this guy; none of my words, no business card, no samples. I don’t even have a sales pitch. Ahead of me I see one woman drop a sealed, brown envelope on the table, containing a cover letter and a sample of her work. After that, another young fellow comes by, handing Ed one of his own books and then opening up a display booklet rammed full of the most incredible drawings I’ve seen for some time!!!

Suddenly I’m nervous, my heart is thudding, my mouth is dry and all I can think is that I’m standing before this professional agent, young enough to be filling his portfolio with names and I have nothing but my face and my words. Then its my turn and my throat gets stuck. Pathetic really. By the time I manage to get some words out I can already tell he’s a bit bored. He’s barely looking at me, glancing up the queue, then the clock, then back up the queue. I’m starting to feel annoyed, understanding that its far from his fault that I have nothing to say, but irritated at that fact at the same time.
I just manage to get out of him what sort of books he follows (and, disappointingly enough, none of his interests even remotely match what I write; that being vamp-fiction, high fantasy, contemporary fantasy and the occasional smut piece). I also just manage to get business card, and then I’m being ushered along.

*sigh*

Sad really, though its taught me something. I need to be prepared. I mean, its a writer’s club, for sod’s sake! If anything, I should always have something of mine to show people, to promote myself, to get my name known. And there should always be a way for people to contact me. Why the hell don’t I have a business card?! I used to, back at the old place, but its out of date now and doesn’t cover enough of what I do. It also doesn’t have all my websites on it; it certainly won’t include this blog. I could have handed him a business card, told him to look up what I do, or at least directed him to some of the pages here with samples. Most of all however, I’m disappointed that I didn’t have a pitch, or at least some sort of blurb about what I do.

That’s got to be my big task going forward; defining who I am as a writer. I already know I’m a writer, but for those who don’t, its important that I make it clear from the start. I need people to know that I’m as serious about this as a career as they are. Ed talked about developing authors as brands, and that’s really the case now, isn’t it? As if Twilight isn’t bloody truth enough, there are authors who’s names you just know. They have been carefully built up and marketed and grown to become brands, like McDonalds or Nike.

Sad, but true and I should be taking the first baby steps here to do the same for myself.

Agents make their living out of books and the brands they sell; I intend to do the same. I want to put together just something short about what it is I actually do and how. I dunno… something like;

My name is **edited** but I write under Ileandra Young. I started when I was thirteen and since then have completed several novels falling under the genres of vamp-fiction and fantasy. Fantasy breaks down into high fantasty in the style of Katherine Kerr, Robert Jordan and Tolkien, while the contemporary fantasy covers bases like Kelley Armstrong and Kirstine Cashoore. My vampire fiction is certainly nothing like freakin Stephanie Meyer, its actually good! Like Kelly Armstrong again, Anne Rice, or Laurell K Hamilton. I’m currently unpublished but there are samples of my work here, here and here and, for your reference, this is my business card.

Y’know… like that.
I doesn’t have to be exactly like that, but something along those lines will help me out no end.

Mission accepted baby!

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